Peter Gabriel : The Lostbrook Tape Series - Volume 12
I didn’t have a ticket to this concert, but I received an offer I couldn’t refuse – a first row seat directly in front of Peter Gabriel’s piano for his first gig as a solo artist! It was a privilege to witness this historic event from such a location. We already knew that Genesis could survive without Gabriel, and all doubts about Peter were erased when he released his first solo album eight days before this concert. The “visible’ band that included Larry Fast, Steve Hunter, and Tony Levin was already first class, but the addition of Robert Fripp, even though he was hidden behind the stage, was a prog fan’s dream. Gabriel took to the stage wearing a simple sweat suit, sat down at the piano in front of me, and played the opening chords of “Here Comes the Flood.” Near the end of the first verse, Fripp’s signature sound appeared out of nowhere, and the crowd roared in approval as it welcomed back not one, but two progressive rock icons. If I craned my neck at just the right angle, I could see Fripp behind the amplifiers, and even convinced myself that he was tilting his head back at me. I thought the concert was spectacular, but just before “Down the Dolce Vita,” Gabriel declared, “It’s been a total zero.” I think he was unhappy with a few things: a tape machine that malfunctioned, a slip-up when he introduced “Humdrum” instead of “Why Don’t We”, and the introduction of “Ain’t that Peculiar” as “Ain’t it Peculiar.” He may have also been upset with the relentless calls for Genesis songs. I thought I detected a little extra anger in the Rael character, especially when he hurled the mic stand across the stage. In my opinion, Peter didn’t need to be concerned. His performances didn’t just get better over the years. They improved exponentially.
01 Here Comes The Flood (piano version) 02 On The Air 03 Moribund The Burgermeister 04 Waiting For The Big One 05 Why Don't We 06 Excuse Me 07 Humdrum 08 Solsbury Hill 09 Ain't That Peculiar 10 Indigo (splice tape flip) 11 All Day And All Of The Night 12 Here Comes The Flood 13 Slowburn 14 Modern Love 15 Down The Dolce Vita 16 Back In NYC
3 comments:
Peter Gabriel : The Lostbrook Tape Series - Volume 12
I didn’t have a ticket to this concert, but I received an offer
I couldn’t refuse – a first row seat directly in front of Peter
Gabriel’s piano for his first gig as a solo artist! It was a
privilege to witness this historic event from such a location.
We already knew that Genesis could survive without Gabriel, and
all doubts about Peter were erased when he released his first
solo album eight days before this concert. The “visible’ band
that included Larry Fast, Steve Hunter, and Tony Levin was already
first class, but the addition of Robert Fripp, even though he was
hidden behind the stage, was a prog fan’s dream. Gabriel took to
the stage wearing a simple sweat suit, sat down at the piano in
front of me, and played the opening chords of “Here Comes the Flood.”
Near the end of the first verse, Fripp’s signature sound appeared out
of nowhere, and the crowd roared in approval as it welcomed back not
one, but two progressive rock icons. If I craned my neck at just the
right angle, I could see Fripp behind the amplifiers, and even convinced
myself that he was tilting his head back at me. I thought the concert
was spectacular, but just before “Down the Dolce Vita,” Gabriel declared,
“It’s been a total zero.” I think he was unhappy with a few things: a
tape machine that malfunctioned, a slip-up when he introduced “Humdrum”
instead of “Why Don’t We”, and the introduction of “Ain’t that Peculiar”
as “Ain’t it Peculiar.” He may have also been upset with the relentless
calls for Genesis songs. I thought I detected a little extra anger in
the Rael character, especially when he hurled the mic stand across the
stage. In my opinion, Peter didn’t need to be concerned. His performances
didn’t just get better over the years. They improved exponentially.
March 05, 1977
Capital Theater
New York, NY
USA
Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV
Taper: Lostbrook
Mastering: CQ
01 Here Comes The Flood (piano version)
02 On The Air
03 Moribund The Burgermeister
04 Waiting For The Big One
05 Why Don't We
06 Excuse Me
07 Humdrum
08 Solsbury Hill
09 Ain't That Peculiar
10 Indigo (splice tape flip)
11 All Day And All Of The Night
12 Here Comes The Flood
13 Slowburn
14 Modern Love
15 Down The Dolce Vita
16 Back In NYC
awesome recording.. one correction - the Capitol Theater is in Passaic, NJ, not NYC NY
Keep up the great work thanks for evferything that you share :)
Thank you very much!
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