TITLE: [Working] "B79", a.k.a. "The Realization of a Little Imagination"
DATE: 19 June 1979
LOCATION: Boston, MA, USA
VENUE: Boston Garden
RECORDING TYPE: Audience ["AR"]
SOURCE: Original master tapes [Maxell XLII-S] recorded with Nakamichi 550 deck and Nakamichi CM-100/CP-1 microphones
TAPER: The unsurpassed Mr. Barry Rogoff
LINEAGE: Original master transfer - Nak BX 300 [Dolby B out] > Digigram VXPocket V2 > CD quality wave [44.1, 16 bit] > Nero 7.0 > Addonics Digicopier Firewire > EAC > mastering computer > FLAC > Dime > You
INDEPENDENT SOURCE ANALYSIS: Several trusted “beta testers”, including the Taper, Gromek and others
ORIGINAL ART: Gromek
LINEUP: Vocals, harp, incidental percussion and guitar - Jon Anderson; Keyboards - Rick Wakeman; Guitars - Steve Howe; Bass Guitars - Chris Squire; Percussion - Alan White
SETLIST [for standard 80-minute CDR]:
[Vol. 1] 01V1 - Siberian Khatru; 02V1 - Heart of the Sunrise; 03V1 - Future Times; 04V1 - Circus of Heaven; 05V1 - The Big Medley [includes Squire solo]; 06V1 - Excerpt from The Ancient "Leaves of Green"]; 07V1 - Howe Solo [yet another case of The Clap, Double Rondo excerpt]
[Vol. 2] 01V2 – Arriving UFO [includes Alan White solo]; 02V2 - Starship Trooper; 03V2 - Wakeman solo; 04V2 - Awaken; 05V2 - Tour Jam for Boston; 06V2 - All Good People; 07V2A - Audience Party [includes fireworks]; 07V2B – Roundabout
Endless, endless thanks to the Taper – this nearly if not completely miraculous AR wouldn’t exist for us to enjoy without his bravery and expertise, then and now.
When the cheaper speakers begin to fart, remember - it's a true audience sound capture :]
REMASTER SUMMARY:
Pitch/Tempo naturalization and EQ work to reveal - not mix - existing detail in CEP 2.0 and Izotope Ozone. No noise reduction attempted. Extensive detail below can be read or skipped as preferred, but I will have no mercy on any complainers who have not read it [I will know] ;}
YES
ReplyDeleteTITLE: [Working] "B79", a.k.a. "The Realization of a Little Imagination"
DATE: 19 June 1979
LOCATION: Boston, MA, USA
VENUE: Boston Garden
RECORDING TYPE: Audience ["AR"]
SOURCE: Original master tapes [Maxell XLII-S] recorded with Nakamichi 550 deck and Nakamichi CM-100/CP-1 microphones
TAPER: The unsurpassed Mr. Barry Rogoff
LINEAGE: Original master transfer - Nak BX 300 [Dolby B out] > Digigram VXPocket V2 > CD quality wave [44.1, 16 bit] > Nero 7.0 > Addonics Digicopier Firewire > EAC > mastering computer > FLAC > Dime > You
INDEPENDENT SOURCE ANALYSIS: Several trusted “beta testers”, including the Taper, Gromek and others
ORIGINAL ART: Gromek
LINEUP: Vocals, harp, incidental percussion and guitar - Jon Anderson; Keyboards - Rick Wakeman; Guitars - Steve Howe; Bass Guitars - Chris Squire; Percussion - Alan White
SETLIST [for standard 80-minute CDR]:
[Vol. 1]
01V1 - Siberian Khatru; 02V1 - Heart of the Sunrise; 03V1 - Future Times; 04V1 - Circus of Heaven; 05V1 - The Big Medley [includes Squire solo]; 06V1 - Excerpt from The Ancient "Leaves of Green"]; 07V1 - Howe Solo [yet another case of The Clap, Double Rondo excerpt]
[Vol. 2]
01V2 – Arriving UFO [includes Alan White solo]; 02V2 - Starship Trooper; 03V2 - Wakeman solo; 04V2 - Awaken; 05V2 - Tour Jam for Boston; 06V2 - All Good People; 07V2A - Audience Party [includes fireworks]; 07V2B – Roundabout
Endless, endless thanks to the Taper – this nearly if not completely miraculous AR wouldn’t exist for us to enjoy without his bravery and expertise, then and now.
When the cheaper speakers begin to fart, remember - it's a true audience sound capture :]
REMASTER SUMMARY:
Pitch/Tempo naturalization and EQ work to reveal - not mix - existing detail in CEP 2.0 and Izotope Ozone. No noise reduction attempted. Extensive detail below can be read or skipped as preferred, but I will have no mercy on any complainers who have not read it [I will know] ;}
Thank you so much.
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