the day after independence... King Crimson Adrian Belew- guitar and vocals Robert Fripp- guitar Tony Levin- bass (Chapman stick) Bill Bruford- (Simmons electronic drums and his familiar traditional drums) Orpheum Theater Boston Mass. July 5, 1984 performance quality: A+ as good as I've heard this edition of the band sound recording quality: B+ source: master audience tape lineage: Sony mike (I think an ECM 939, a pretty good one) > Sony D-6 cassette deck (dolby off) > Maxell XLII-S 90 min. cassettes (high bias/EQ) > played on Naka. 125 into soundforge (WAV, remastering) of now dead computer (my ORIGINAL "Bertha" computer of which a few fragments are now "Bertha III"> CD > CD extractor (WAV) > FLAC 6 > torrentially yours. a this and that you are there Crimification production. setlist: disc 1 65:05 1: intro :46 2: lark's tongues in aspic part III 11:24 3: thela hun ginjeet 6:16 4: red 5:52 5: matte kudasai 3:51 6: industry 8:23 7: dig me 3:46 8: three of a perfect pair 4:47 9: indiscipline 11:20 10: sartori in Tangiers 4:54 11: frame by frame 3:40
disc 2 37:00 12: the waiting man 6:31 13: sleepless 6:17 14: lark's tongues in aspic part II 6:07 15: encore break #1 with commentary 2:30 16: discipline 5:15 17: heartbeat 3:52 18: encore break #2 with commentary 2:00 19: elephant talk 4:26 comments: The 7/4/84 New Haven concert was recently posted on dime. This is the day after Indy day, a show I haven't seen among dime's very impressive Crimson collective. Belew likes Boston alot. I will have more of that later with another group as big as this is, but this is the Crim, the only time I ever made a recording and didn't mess it up. part of it did have a bit of a problem, but only 3 tracks had to be balanced more than the rest so it all sounds pretty fluent, it's an up close recording never posted before that couldn't wait any more. Now being posted on its 24th anniversary.
2 comments:
the day after independence...
King Crimson
Adrian Belew- guitar and vocals
Robert Fripp- guitar
Tony Levin- bass (Chapman stick)
Bill Bruford- (Simmons electronic drums
and his familiar traditional drums)
Orpheum Theater
Boston Mass.
July 5, 1984
performance quality: A+ as good as I've heard this
edition of the band sound
recording quality: B+
source: master audience tape
lineage: Sony mike (I think an ECM 939, a pretty good one) >
Sony D-6 cassette deck (dolby off) >
Maxell XLII-S 90 min. cassettes (high bias/EQ) >
played on Naka. 125 into soundforge (WAV, remastering)
of now dead computer (my ORIGINAL "Bertha" computer of
which a few fragments are now "Bertha III"> CD >
CD extractor (WAV) > FLAC 6 > torrentially yours.
a this and that you are there Crimification production.
setlist: disc 1 65:05
1: intro :46
2: lark's tongues in aspic part III 11:24
3: thela hun ginjeet 6:16
4: red 5:52
5: matte kudasai 3:51
6: industry 8:23
7: dig me 3:46
8: three of a perfect pair 4:47
9: indiscipline 11:20
10: sartori in Tangiers 4:54
11: frame by frame 3:40
disc 2 37:00
12: the waiting man 6:31
13: sleepless 6:17
14: lark's tongues in aspic part II 6:07
15: encore break #1 with commentary 2:30
16: discipline 5:15
17: heartbeat 3:52
18: encore break #2 with commentary 2:00
19: elephant talk 4:26
comments:
The 7/4/84 New Haven concert was recently posted on dime. This is the day after
Indy day, a show I haven't seen among dime's very impressive Crimson collective.
Belew likes Boston alot. I will have more of that later with another group as
big as this is, but this is the Crim, the only time I ever made a recording and
didn't mess it up. part of it did have a bit of a problem, but only 3 tracks
had to be balanced more than the rest so it all sounds pretty fluent,
it's an up close recording never posted before that couldn't wait any more.
Now being posted on its 24th anniversary.
1984.. a good year for KC. Who could have predicted that they would disband for a ten year period?
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