Pink Floyd Boston Music Hall Boston, MA, USA March 14, 1973
Source: excellent audience recording Lineage: MC (master) > HD recording > shn > mkw (V0.97 beta 1) > wav (some improvements using EAC V0.95 prebeta 4 and shntool V2.0.3) > mkw > shn (futher details see below) Taped by: Joe Maloney (maloneyjoe68@aol.com) Transfered by: Jamie Salerno (jjs4@cwru.edu)
Bootleg Title: "Boston Music Hall, March 14, 1973", no label File Size: 914 MB (SHN)
Disc 1: 1. Careful With That Axe, Eugene 2. Obscured By Clouds / When You're In 3. Set The Controls For The Heart Of The Sun 4. Echoes Running Time: 66'13"
Disc 2: 1. Speak To Me / Breathe 2. On The Run 3. Time / Breathe Reprise 4. The Great Gig In The Sky 5. Money 6. Us And Them 7. Any Colour You Like 8. Brain Damage 9. Eclipse 10. One Of These Days Running Time: 66'26"
Notes: From original text file: Recorded on a Sony TC-110A, using the built-in microphone (see http://www.sciencetech.technomuses.ca/english/collection/cassette_rec.cfm). Original cassettes were transferred to a Mac DAW using a Denon DR-M10HR. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly and to remove "room boom" at around 80 Hz; & b) a Phase Linear Autocorrelator to remove hiss & expand the signal (the TC-110A did not have controls for recording; the recorder, designed for dictation, compressed the signal and recorded at a fixed level). Transferred to the Mac using a MOTU 896. Bias Deck used to splice tape flips, even out volume levels & in some case to edit audience portions to allow for whole sets to fit on a 74 minute CD. Bias Peak used to transfer SDII files to WAV files for shn compression. This recording is the first of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. The improvements that I did: - Zero padding at the beginning and the end of each disc (always 1 second = 75 sectors = 44'100 samples) with EAC's integrated wave editor - Fixing sector boundary errors in most of the tracks with shntool - Last but not least, I have also created some artwork
Credits: Many thanks to Joe Maloney for recording this show and also to Jamie Salerno for doing the transfer.
Pink Floyd
ReplyDeleteBoston Music Hall
Boston, MA, USA
March 14, 1973
Source: excellent audience recording
Lineage: MC (master) > HD recording > shn > mkw (V0.97 beta 1) > wav (some improvements using EAC V0.95 prebeta 4 and shntool V2.0.3) > mkw > shn (futher details see below)
Taped by: Joe Maloney (maloneyjoe68@aol.com)
Transfered by: Jamie Salerno (jjs4@cwru.edu)
Bootleg Title: "Boston Music Hall, March 14, 1973", no label
File Size: 914 MB (SHN)
Disc 1:
1. Careful With That Axe, Eugene
2. Obscured By Clouds / When You're In
3. Set The Controls For The Heart Of The Sun
4. Echoes
Running Time: 66'13"
Disc 2:
1. Speak To Me / Breathe
2. On The Run
3. Time / Breathe Reprise
4. The Great Gig In The Sky
5. Money
6. Us And Them
7. Any Colour You Like
8. Brain Damage
9. Eclipse
10. One Of These Days
Running Time: 66'26"
Notes:
From original text file:
Recorded on a Sony TC-110A, using the built-in microphone (see
http://www.sciencetech.technomuses.ca/english/collection/cassette_rec.cfm).
Original cassettes were transferred to a Mac DAW using a Denon DR-M10HR.
The analog signal was first run through: a) a SAE 2800 parametric equalizer
to bump the highs slightly and to remove "room boom" at around 80 Hz; & b)
a Phase Linear Autocorrelator to remove hiss & expand the signal (the
TC-110A did not have controls for recording; the recorder, designed for
dictation, compressed the signal and recorded at a fixed level).
Transferred to the Mac using a MOTU 896. Bias Deck used to splice tape
flips, even out volume levels & in some case to edit audience portions to
allow for whole sets to fit on a 74 minute CD. Bias Peak used to transfer
SDII files to WAV files for shn compression. This recording is the first
of literally dozens of concerts recorded by Joe Maloney in the late '60s -
late '70s to be released to the live recording community. The bulk of the
concerts recorded were in the Boston area, with some in Maine venues.
The improvements that I did:
- Zero padding at the beginning and the end of each disc (always 1
second = 75 sectors = 44'100 samples) with EAC's integrated wave
editor
- Fixing sector boundary errors in most of the tracks with shntool
- Last but not least, I have also created some artwork
Credits:
Many thanks to Joe Maloney for recording this show and also to Jamie Salerno for doing the transfer.